Venue details
Website: https://www.cinemanova.com.au
Website: https://www.cinemanova.com.au
DIRECTOR: ANNAPURNA SRIRAM | USA | 2025
We’re bringing back MQFF’s most popular film of 2025: the underground festival hit and cult love child of John Waters and David Lynch that is completely unhinged and camp as hell. Annapurna Sriram’s Fucktoys returns for your Midsumma pleasure. Fucktoys is a wild homage to the grindhouse greats and firmly establishes Annapurna Sriram, winner of the Special Jury Award for a Multi-Hyphenate at the SXSW Film Festival, as an icon in the making. A personal favourite of the festival programming team and audiences around the world, this is an unmissable opportunity to see Fucktoys on the big screen or, for those who came last time, a chance to chase that repeat dopamine hit. The story is simple: AP, a part-time sex worker and full-time chaos magnet, is convinced she’s cursed, and she’s right. Surrounded by psychics who, for a cool $1,000, will sacrifice a baby lamb to free her, AP searches for redemption in a queer-coded landscape that proves to be anything but simple. Fucktoys features a beloved cast including Sadie Scott, the legendary Big Freedia, 13 Reasons Why’s Brandon Flynn, The Comeback’s Damian Young, and a knockout performance by The Borgias’ François Arnaud, who also co-stars in Twinless. Sriram’s Fucktoys does not disappoint. * Audiences are advised this film contains scenes of drug use, graphic violence, nudity, and sex. Further information about content and age-appropriateness for specific films can be found on CommonSenseMedia.org, IMDb.com and DoesTheDogDie.com.
DIRECTOR: ROSANNE PEL | GERMANY | 2025
Queer culture has always embraced the wild outsider, and director Rosanne Pel leans right in with her darkly funny second feature, this sharp and eccentric riff on women-centred family sagas in the spirit of Grey Gardens. If family warfare is an art form, Donkey Days is destined to be a future cult classic. Anna and Charlotte, two lifelong rival sisters, have spent years competing for the affection of their mercurial mother, Ines. When Anna returns home with frustrations simmering and her queer relationships unravelling, old conflicts flare fast. Soon the trio is knee-deep in bizarre family secrets, from mysterious ashes to Mum’s unsettling fondness for a donkey. As revelations pile up, the lines between grief, love, and absurdity blur in the best possible way. * Audiences are advised this film contains depictions of dysfunctional family dynamics, portrayals of sexual shame, nudity, and eating dynamics related to dieting pressure. Further information about content and age-appropriateness for specific films can be found on CommonSenseMedia.org, IMDb.com and DoesTheDogDie.com.
DIRECTOR: JOSEPH AMENTA | CANADA | 2022
Soft pulses onto the screen with a genderqueer narrative whose cinematic brilliance is rooted in lived experience. Unfolding like a mosaic, Soft captures the complex and tender threshold between adolescence and adulthood. This Midsumma, we celebrate the cult filmmakers of the future with director Joseph Amenta’s powerful and poetic cry for freedom. Set in Toronto, the film follows Julian, Otis, and Tony as they drift through summer—stealing cigarettes, picking pockets, and trying to slip into their local queer nightclub. But when their de facto caregiver, Dawn, disappears, the fragile world that held them together is suddenly upended. Featuring remarkable performances from its young cast, Soft echoes the spirit of The 400 Blows with a touch of The Florida Project, creating a raw and exuberant portrait told through the eyes of queer youth on the edge. * Audiences are advised this film contains transphobic language, drug use, coarse language and the depiction of children in adult situations, including unstable living situations. . Further information about content and age-appropriateness for specific films can be found on CommonSenseMedia.org, IMDb.com and DoesTheDogDie.com.
DIRECTOR: MARCIO REOLON, FILIPE MATZEMBACHER | BRAZIL | 2025
Tapping into full-colour emotion and romantic anarchy in the vein of iconoclastic auteur Rainer Werner Fassbinder, Night Stage is the hyper-sensual melodrama electrifying the film festival circuit. A one-night stand between aspiring young actor Matias and charismatic mayoral candidate Rafael veers dangerously off-script when their craving for public sex draws the attention of powerful figures who prefer desire to stay in the dark. Directing duo Filipe Matzembacher and Marcio Reolon bring unapologetic gay intimacy to the screen, resurrecting the erotic thriller and reimagining it for a contemporary queer era. * Audiences are advised this film contains strong sexual content, nudity, and violence. * Contains flashing images/strobe lighting. Further information about content and age-appropriateness for specific films can be found on CommonSenseMedia.org, IMDb.com and DoesTheDogDie.com.
DIRECTOR: JAMES DEMITRI | AUSTRALIA | 2026
MQFF proudly unveils Drax, a seductive reimagining of the vampire myth through a boldly queer lens. Drax, a centuries-old vampire hiding in plain sight, spends his nights painting and resisting the urge to feed. But when he meets Marcus, a magnetic young skater, the lines between hunger, desire, and connection begin to blur. Director James Demitri reinvents the classic Anne Rice–style vampire confession, grounding it in the streets of Sydney. Drax was shot on location in spaces marked by the history of violence against gay men, now reclaimed in a story where the hunter is unapologetically queer. * Audiences are advised this film contains violence and gore. Further information about content and age-appropriateness for specific films can be found on CommonSenseMedia.org, IMDb.com and DoesTheDogDie.com.
DIRECTOR: AVALON FAST | USA | 2025
Director Avalon Fast’s wild, emotional, genre-bending sophomore feature arrives fresh off its Best Feature win in Fantastic Fest’s Next Wave competition. Camp follows Emily, a young woman reeling from a self-inflicted tragedy, who takes a counselling job at a remote religious camp in an attempt to outrun her guilt. Instead, she finds a crew of equally messy counsellors who pull her into their chaotic coven. Fast smashes taboos with lush visuals and intimate, confessional storytelling, that at every turn offers the unexpected. A frequent collaborator of MQFF favorites and trailblazers Alice Maio Mackay and Louise Weard, Fast delivers Gen Z’s answer to The Craft while hinting at a Lynchian heir in the making. * Audiences are advised this film contains drug use/overdose and discussion of self-harm. Further information about content and age-appropriateness for specific films can be found on CommonSenseMedia.org, IMDb.com and DoesTheDogDie.com.
DIRECTOR: JEFFREY SCHWARZ | USA | 2014
One-of-a-kind provocateur Divine, was a Baltimore misfit who traded playground ridicule for high heels, sequins, and global infamy. Partnering with the king of cinematic sleaze, John Waters, Divine laughed in the face of boring norms. Largely crowdfunded through the power of social media, I Am Divine is a loving and definitive biographical portrait, made by and for the fans. Body image, gender, sexuality, beauty, Divine spat on them all and made it fabulous. MQFF presents I Am Divine, paired with a Fed Square free screening of Divine in John Waters’ Hairspray. * Audiences are advised this film contains explicit sexuality, homophobia, transphobia, drug use, swearing and eating of dog shit. Further information about content and age-appropriateness for specific films can be found on CommonSenseMedia.org, IMDb.com and DoesTheDogDie.com.
DIRECTOR: JAMES WHALE | USA | 1935
Hollywood’s openly gay director James Whale is cinema’s master of horror! Bold and proud in the 1930s, Whale never bothered to hide his queerness or his artistry. He infused his films with queer-coded monsters, crafting a love letter to outsiders. This Midsumma, we celebrate Whale’s enduring contribution to cinema on the altar of the big screen. A rare sequel whose reputation surpasses that of its predecessor, The Bride of Frankenstein is considered Whale’s magnum opus and stars screen icon Boris Karloff. Picking up immediately after the events of the original, the story expands on a subplot from Mary Shelley’s novel, in which Frankenstein creates a mate for his monster.